Best pictures
“Avatar” James Cameron and Jon Landau, Producers
“The Blind Side” Gil Netter, Andrew A. Kosove and Broderick Johnson, Producers
“District 9” Peter Jackson and Carolynne Cunningham, Producers
“An Education” Finola Dwyer and Amanda Posey, Producers
“The Hurt Locker” Kathryn Bigelow, Mark Boal, Nicolas Chartier and Greg Shapiro, Producers
“Inglourious Basterds” Lawrence Bender, Producer
“Precious: Based on the Novel ‘Push’ by Sapphire” Lee Daniels, Sarah Siegel-Magness and Gary Magness,

Best Actor in a Leading Role
Jeff Bridges in “Crazy Heart”
George Clooney in “Up in the Air”
Colin Firth in “A Single Man”
Morgan Freeman in “Invictus”
Jeremy Renner in “The Hurt Locker”
Actor in a Supporting Role
Matt Damon in “Invictus”
Woody Harrelson in “The Messenger”
Christopher Plummer in “The Last Station”
Stanley Tucci in “The Lovely Bones”
Christoph Waltz in “Inglourious Basterds”

Best Actress in a Leading Role
Sandra Bullock in “The Blind Side”
Helen Mirren in “The Last Station”
Carey Mulligan in “An Education”
Gabourey Sidibe in “Precious: Based on the Novel ‘Push’ by Sapphire”
Meryl Streep in “Julie & Julia”

Best Actress in a Supporting Role
Penélope Cruz in “Nine”
Vera Farmiga in “Up in the Air”
Maggie Gyllenhaal in “Crazy Heart”
Anna Kendrick in “Up in the Air”
Mo’Nique in “Precious: Based on the Novel ‘Push’ by Sapphire”

Best Animated Feature Film
“Coraline” Henry Selick
“Fantastic Mr. Fox” Wes Anderson
“The Princess and the Frog” John Musker and Ron Clements
“The Secret of Kells” Tomm Moore
“Up” Pete Docter

Best Art Direction
“Avatar” Art Direction: Rick Carter and Robert Stromberg; Set Decoration: Kim Sinclair
“The Imaginarium of Doctor Parnassus” Art Direction: Dave Warren and Anastasia Masaro; Set Decoration: Caroline Smith
“Nine” Art Direction: John Myhre; Set Decoration: Gordon Sim
“Sherlock Holmes” Art Direction: Sarah Greenwood; Set Decoration: Katie Spencer
“The Young Victoria” Art Direction: Patrice Vermette; Set Decoration: Maggie Gray

Best Cinematography
“Avatar” Mauro Fiore
“Harry Potter and the Half-Blood Prince” Bruno Delbonnel
“The Hurt Locker” Barry Ackroyd
“Inglourious Basterds” Robert Richardson
“The White Ribbon” Christian Berger

Best Costume Design
“Bright Star” Janet Patterson
“Coco before Chanel” Catherine Leterrier
“The Imaginarium of Doctor Parnassus” Monique Prudhomme
“Nine” Colleen Atwood
“The Young Victoria” Sandy Powell

Best Directing
“Avatar” James Cameron
“The Hurt Locker” Kathryn Bigelow
“Inglourious Basterds” Quentin Tarantino
“Precious: Based on the Novel ‘Push’ by Sapphire” Lee Daniels
“Up in the Air” Jason Reitman

Best Documentary
“Burma VJ” Anders Ostergaard and Lise Lense-Møller
“The Cove” Louie Psihoyos and Fisher Stevens
“Food, Inc.” Robert Kenner and Elise Pearlstein
“The Most Dangerous Man in America: Daniel Ellsberg and the Pentagon Papers” Judith Ehrlich and Rick Goldsmith
“Which Way Home” Rebecca Cammisa

Documentary (Short Subject)
“China’s Unnatural Disaster: The Tears of Sichuan Province” Jon Alpert and Matthew O’Neill
“The Last Campaign of Governor Booth Gardner” Daniel Junge and Henry Ansbacher
“The Last Truck: Closing of a GM Plant” Steven Bognar and Julia Reichert
“Music by Prudence” Roger Ross Williams and Elinor Burkett
“Rabbit à la Berlin” Bartek Konopka and Anna Wydra

Best Film Editing
“Avatar” Stephen Rivkin, John Refoua and James Cameron
“District 9” Julian Clarke
“The Hurt Locker” Bob Murawski and Chris Innis
“Inglourious Basterds” Sally Menke
“Precious: Based on the Novel ‘Push’ by Sapphire” Joe Klotz

Best Foreign Language Film
“Ajami” Israel
“The Milk of Sorrow (La Teta Asustada)” Peru
“A Prophet (Un Prophète)” France
“The Secret in Their Eyes (El Secreto de Sus Ojos)” Argentina
“The White Ribbon (Das Weisse Band)” Germany

Best Makeup
“Il Divo” Aldo Signoretti and Vittorio Sodano
“Star Trek” Barney Burman, Mindy Hall and Joel Harlow
“The Young Victoria” Jon Henry Gordon and Jenny Shircore

Best Music
“Avatar” James Horner
“Fantastic Mr. Fox” Alexandre Desplat
“The Hurt Locker” Marco Beltrami and Buck Sanders
“Sherlock Holmes” Hans Zimmer
“Up” Michael Giacchino

Best Music (Original Song)
“Almost There” from “The Princess and the Frog” Music and Lyric by Randy Newman
“Down in New Orleans” from “The Princess and the Frog” Music and Lyric by Randy Newman
“Loin de Paname” from “Paris 36” Music by Reinhardt Wagner Lyric by Frank Thomas
“Take It All” from “Nine” Music and Lyric by Maury Yeston
“The Weary Kind (Theme from Crazy Heart)” from “Crazy Heart” Music and Lyric by Ryan Bingham and T Bone Burnett

Producers
“A Serious Man” Joel Coen and Ethan Coen, Producers
“Up” Jonas Rivera, Producer
“Up in the Air” Daniel Dubiecki, Ivan Reitman and Jason Reitman, Producers

Short Film (Animated)
“French Roast” Fabrice O. Joubert
“Granny O’Grimm’s Sleeping Beauty” Nicky Phelan and Darragh O’Connell
“The Lady and the Reaper (La Dama y la Muerte)” Javier Recio Gracia
“Logorama” Nicolas Schmerkin
“A Matter of Loaf and Death” Nick Park

Best Short Film (Live Action)
“The Door” Juanita Wilson and James Flynn
“Instead of Abracadabra” Patrik Eklund and Mathias Fjellström
“Kavi” Gregg Helvey
“Miracle Fish” Luke Doolan and Drew Bailey
“The New Tenants” Joachim Back and Tivi Magnusson

Best Sound Editing
“Avatar” Christopher Boyes and Gwendolyn Yates Whittle
“The Hurt Locker” Paul N.J. Ottosson
“Inglourious Basterds” Wylie Stateman
“Star Trek” Mark Stoeckinger and Alan Rankin
“Up” Michael Silvers and Tom Myers

Best Sound Mixing
“Avatar” Christopher Boyes, Gary Summers, Andy Nelson and Tony Johnson
“The Hurt Locker” Paul N.J. Ottosson and Ray Beckett
“Inglourious Basterds” Michael Minkler, Tony Lamberti and Mark Ulano
“Star Trek” Anna Behlmer, Andy Nelson and Peter J. Devlin
“Transformers: Revenge of the Fallen” Greg P. Russell, Gary Summers and Geoffrey Patterson

Best Visual Effects
“Avatar” Joe Letteri, Stephen Rosenbaum, Richard Baneham and Andrew R. Jones
“District 9” Dan Kaufman, Peter Muyzers, Robert Habros and Matt Aitken
“Star Trek” Roger Guyett, Russell Earl, Paul Kavanagh and Burt Dalton
Writing (Adapted Screenplay)
“District 9” Written by Neill Blomkamp and Terri Tatchell
“An Education” Screenplay by Nick Hornby
“In the Loop” Screenplay by Jesse Armstrong, Simon Blackwell, Armando Iannucci, Tony Roche
“Precious: Based on the Novel ‘Push’ by Sapphire” Screenplay by Geoffrey Fletcher
“Up in the Air” Screenplay by Jason Reitman and Sheldon Turner

Best Writing (Original Screenplay)
“The Hurt Locker” Written by Mark Boal
“Inglourious Basterds” Written by Quentin Tarantino
“The Messenger” Written by Alessandro Camon & Oren Moverman
“A Serious Man” Written by Joel Coen & Ethan Coen
“Up” Screenplay by Bob Peterson, Pete Docter, Story by Pete Docter, Bob Peterson, Tom McCarthy

Director: Albert Lamorisse
Script: Albert Lamorisse
Photo: Edmond Séchan
Music: Maurice Leroux
Cast: Pascal Lamorisse (Pascal), Georges Sellier, Vladimir Popov, Paul Perey, René Marion, Sabine Lamorisse, Michel Pezin, David Séchan (Twin in red), Renaud (Twin in red)
Country: France
Language: French
Runtime: 34 min
Aka: The Red Balloon

The story is based on the novel of the same name by Christopher Isherwood. Set in Los Angeles in 1962, at the height of the Cuban missile crisis, it is the story of a British college professor (Colin Firth) who is struggling to find meaning to his life after the death of his long time partner. This is a romantic tale of love interrupted, the isolation that is an inherent part of the human condition, and ultimately the importance of the seemingly smaller moments in life.

The film is produced by Tom Ford through his Los Angeles based production company, Fade to Black, in association with Chris Weitz and Andrew Miano of Depth of Field, and Robert Salerno of Artina Films. The screenplay is written by Tom Ford and David Scearce.

Starring: Colin Firth, Julianne Moore, Matthew Goode, Nicholas Hoult, Ginnifer Goodwin
Director: Tom Ford

Director:Aisling Walsh
Writers:Peter Ransley (screenplay)
Sarah Waters (novel)
Release Date:27 March 2005 (UK)
Genre:Crime, Drama, Romance

Cast
Sally HawkinsSue TrinderElaine CassidyMaud LillyRupert EvansRichard ‘Gentleman’ RiversImelda StauntonMrs SucksbyCharles DanceUncle LillyWatch and Listen
Episode clips
Episode 1
Episode 2
Episode 3
Related Links
Also on BBC Drama
Charles Dance
Imelda Staunton

Since she was orphaned, Sue has been brought up amongst pickpockets and charlatans. She’s been protected and cared for by Mrs Sucksby (Imelda Staunton), who believes Sue is too good a girl to get directly involved in such a world. But when Mrs Sucksby’s old friend Rivers offers 20-year-old Sue £3000 to assist him in one of his scams, Mrs Sucksby agrees to conspire.

Arriving at the estate where Maud lives with her wealthy Uncle Lilly (Charles Dance), Sue enters another world. Maud and Sue are of a similar age and appearance but their experience of life couldn’t be further apart. Maud’s existence is one of wealth and prosperity inside a grand house, where her duties are limited to nightly readings to her uncle and his friends.

The two young women become friends but Sue’s growing feelings for Maud cannot prevent her from going through with Rivers’s scam. On Sue’s advice, Maud accepts Rivers’ proposal of marriage.

But not everyone is who they appear to be, and a series of plot twists leave viewers unsure of who can be trusted.

The BBC is not responsible for the content of external websites.

Plot:Susan “Sue” Trinder is a fingersmith (British slang for thief) who lives in the slums of London.
Asylum/Victorian Era /Lesbian
Awards:3 nominations more

4. Syndromes and a Century Apichatpong Weerasethakul, Thailand/Austria/France 2006
5. There Will Be Blood P. T. Anderson, U.S. 2007 1664
6. The Death of Mr. Lazarescu Cristi Puiu, Romania 2005
7. A History of Violence David Cronenberg, U.S./Canada 2005
8. Tropical Malady Apichatpong Weerasethakul, France/Thailand/Italy/Germany 2004
9. 4 Months, 3 Weeks and 2 Days Cristi Mungiu, Romania 2007
10. The New World Terrence Malick, U.S. 2005
11. Non ti muovere, Italy (2004)

the list will be continuing:-) Just cat remind all of them right bow.

It seems that director of Avatar, James Cameron behaves like a boy, carrying to the movie screen all his dreams and fantasies over though it were high technologies or erotic dreams (despite the inhabitants of the planet Pandora are totally deprived of primary sexual characteristics, however their shapes, movements and facial expressions came exactly from wet teen dreams. The fact is Cameron invented an unreal steep tale and embodied it on the movie screen then he is praiseworthy for that, but

But the point is there is a big lie in Avatar. This movie as a product of the era of high technology is likely protects the mother-nature from these technologies, and ultimate leftist manifesto about self-determination of developing countries is advertised by McDonald. That confused me. It’s not funny at all it is rather ridiculous, rude and finally disgusting. And, besides, most part of the audience, reared with much care exactly by products produced by such corporations, look this movie as a high-tech show – just belching with Coca-Cola, throwing over with popcorn and unstopping laughing all the time. After all “Avatar” is just a high-tech show independently what kind of massage Cameron wanted to put in.

This film by French film director and screenwriter Samuel Benshetri “I always wanted to be a gangster” consists of four stories where each of them is the story about people who tried to become real gangsters, but could not. Every time desperate heroes have to make a choice between an honest poverty and crime they cant choose crime because comic absurdity keep them from the fatal step. All of them are joined by the fact that most of their time they spend in a cheap roadside cafe. “I always wanted to be a gangster” is tragicomedy, recalling images of Chaplin’s personages which make people laugh through their tears. Samuel Benshetri knows how to make so without falling in vulgarity.

The movie starts from the classic gag: man in pantyhose on his head hits the telegraph-pole and falls down. This is easiest way to using the situation comedy make people to laugh but actually it’s not so easy. Benshetri skillfully manipulates emotions of spectators, making them not only laugh, but also compassionate. Here is gangster-loser who is trying to rob a roadside cafe, but fails, getting acquainted with the beautiful waitress. Or the two intelligent-looking men stealing the girl-emo, which greatly complicates the life of kidnappers. There are elderly gangsters among inhabitants of the cafe which had a plan to kill their old gangster-friend at his own request, and two aged, forgotten rocker who still decide which of them was better.

Ther picture is created very stylish in black and white fool of quotations: here and Tarantino’s cafe, as in “Pulp Fiction” and the long, somewhat strange dialogues, and Jim Jarmusch’s style strange dialogs, and flashbacks made in the style of early Chaplin. But Benshetri is not trying to disguise references on their favorite characters. A gangster theme is just a way allowing to recall one more time that life is not easy and simular problems are familiar to every citizen of any city, and such stories could happen anywhere, anytime. It appears that even if life is unbearably heavy, not everyone can make a step over at this point it is important what is the hero’s soul, but not what he has in his pocket. All inhabitants of this cafe are infinitely good and charming people.

Highly popular yet controversial South Park episodes are broadcasted on Fox. Jokes and gags of south Park are written splendidly. Every joke of this sitcom has potential to entertain the viewer every time. Greatness of satirical comedy, displaying wittiness and jocularity at the highest degree has helped this show to climb on the ladder of success and popularity faster. All the south park episodes are so entertaining that it’s never enough to watch those episodes once. Creators are bold enough to sustain all the criticisms from media and other famous personalities. Being broadcasted over two decades, these episodes have caught the imagination of people around the world.

If you have missed some of its episodes you can watch them now. Internet is your helping pal in this regard. You can watch South Park episodes on internet without any fee and without any cut. Scores of websites are offering free video streaming option that enables you to watch South Park episodes online without any cost. You can download the episodes too. For uninterrupted viewing you need to have adobe flash player in your computer. Hence search for these websites and watch South Park again and again.

Tom: What happens when you fall in love?
Summer: You believe in that?
Tom: It’s love, it’s not Santa Claus.

Tom: Darling. I don’t know how to tell you this, but there’s a Chinese family in our bathroom.

Tom: It’s official. I’m in love with Summer.
[while Montage of Summer plays]
Tom: I love her smile. I love her hair. I love her knees. I love how she licks her lips before she talks. I love her heart-shaped birthmark on her neck. I love it when she sleeps.

Paul: [Opens the door to Tom's apartment] We didn’t know who to call.
McKenzie: It’s Amanda Heller all over again.
Rachel Hansen: You did the right thing.

Rachel Hansen: Just some guy she met at the gym with Brad Pitt’s face and Jesus’ abs.

Rachel Hansen: Just because she’s likes the same bizzaro crap you do doesn’t mean she’s your soul mate.

Author’s Note: The following is a work of fiction. Any resemblance to persons living or dead is purely coincidental. Especially you Jenny Beckman. Bitch.

Partygoer: So Tom, what is it that you do?
Tom: I uh, I write greeting cards.
Summer: Tom could be a really great architect if he wanted to be.
Partygoer: That’s unusual, I mean, what made you go from one to the other?
Tom: I guess I just figured, why make something disposable like a builing when you can make something that last forever, like a greeting card.

Summer: We’ve been like Sid and Nancy for months now.
Tom: Summer, Sid stabbed Nancy, seven times with a kitchen knife, I mean we have some disagreements but I hardly think I’m Sid Vicious.
Summer: No I’m Sid.
Tom: Oh, so I’m Nancy…
[Pancakes arrive]
Summer: Let’s just eat and we’ll talk about it later. Mmm, that is good, I’m really glad we did this. I love these pancakes… what?
[Tom gets up and walks away from the table]
Summer: Tom, don’t go! You’re still my best friend!

Narrator: This is a story of boy meets girl. But you should know up front, this is not a love story.

Rachel Hansen: Tom, I know you think she was the one, but I don’t. Next time you look back, I think you should look again.

Tom: I feel like why make some disposable like a building and make something that lasts, like a greeting card.

Rachel Hansen: You know, all my friends love you and think you’re great. It’s like they say, there’s plenty of fish in the sea.
Tom: [Looks at a group of twelve year old girls who wave at him and giggle] Those aren’t fish. They’re guppies.

Rachel Hansen: Better that you find this out now before you come home and find her in bed with Lars from Norway.
Tom: Who’s Lars from Norway?
Rachel Hansen: He’s some guy she met at the gym with Brad Pitt’s face and Jesus’ abs.

Summer: You weren’t wrong, Tom. You were just wrong about me.

Rachel Hansen: Quit being a pussy.

Vance: [reading a card that Tom has written] Roses are red, violets are blue… Fuck you, whore!

Narrator: This is a story of boy meets girl. The boy, Tom Hansen of Margate, New Jersey, grew up believing that he’d never truly be happy until the day he met the one. This belief stemmed from early exposure to sad British pop music and a total mis-reading of the movie ‘The Graduate’. The girl, Summer Finn of Shinnecock, Michigan, did not share this belief. Since the disintegration of her parent’s marriage she’d only love two things. The first was her long dark hair. The second was how easily she could cut it off and not feel a thing. Tom meets Summer on January 8th. He knows almost immediately she is who he has been searching for. This is a story of boy meets girl, but you should know upfront, this is not a love story.

Tom: She took a giant shit on my face. Literally.
Alison: Literally?
Tom: Well, no, not literally. That’s disgusting.

Tom: [Montage of Summer] I hate her crooked teeth. I hate the way she smacks her lips. I hate her knooby knees. I hate that cockroach shape splotch on her neck.
[Fade to black]
Tom: [Swayze's She's Like the Wind plays briefly] I HATE THIS SONG!
Bus Driver: [Open to Tom standing while bus comes to a sudden stop] Sir, you need to get off the bus.

Summer: I woke up one morning and I just knew.
Tom: Knew what?
Summer: What I was never sure of with you.

Tom: Darling…
[Summer looks up at him]
Tom: I don’t know how to tell you this, but… there’s a Chinese family in our bathroom.

Tom: My name’s Tom.
Girl at Interview: [shaking hands] Nice to meet you. I’m Autumn.

Narrator: Most days of the year are unremarkable. They begin, and they end, with no lasting memories made in between. Most days have no impact on the course of a life. May 23rd was a Wednesday.

Tom: Paul, seriously…
Paul: Did you bang her?
Tom: No!
Paul: Blow job?
Tom: No!
Paul: Hand job?
Tom: No, Paul, no jobs. I’m still unemployed. We just kissed.

Summer: I named my cat after Springsteen.
Tom: Cool… what was his name?
Summer: Bruce.

Paul: Robin is better than the girl of my dreams. She’s real.

Tom: You don’t want to be named as someone’s boyfriend, and now your someone’s wife?