Movie Mos

10s
Cabinet des Dr. Caligari, Das (1920)
You can watch it right now:

20s
Faust(1926)
Nosferatu, eine Symphonie des Grauens(1922)

30s
Frankenstein(1931)
Freaks(1932)
Mummy, The (1932)
Mummy’s Hand, The (1940)
Vampyr – Der Traum des Allan Grey(1932)
White Zombie(1932)

40s
Body Snatcher, The (1945)
Cat People (1942)
House of Frankenstein(1944)
Frankenstein Meets the Wolf Man(1943)
I Walked with a Zombie (1943)

50s
Eyes without a face(1960)
House of Usher(1960)
Kaibyo Otamaga-Ike(1960)
Invasion of the Body Snatchers(1956))
Village of the Damned(1960)

60s
Blood and Black Lace (1964)
Comedy of Terrors, The(1964)
Curse of the Werewolf, The (1961)
Hush… Hush, Sweet Charlotte (1964)
Kaidan(1964)
Last Man on Earth, The(1964)
Night of the Living Dead (1968)
Onibaba(1964)
Operazione paura(1966)
Pit and the Pendulum (1961)
Quiet Place in the Country, A (1969)
Repulsion(1965)
Rosemary’s Baby(1968)
Tre volti della paura, I(1963)
Viy(1967)

70s
Bay of Blood, A (1971)
Devil’s Rain, The (1975)
Exorcist, The (1973)
Horror Express (1973)
Locataire, Le(1976)
Omen, The (1976)
Paura nella cittа dei morti viventi(1980)
Phantasm(1979)
Profondo rosso(1975)
Salem’s Lot(1979)
Schock(1977)
Shivers(1975)
Shining, The (1980)
Suspiria(1977)
Wicker Man, The(1973)

80s
Angel Heart (1987)
Bad Taste (1987)
Beetle Juice(1988)
Company of Wolves, The (1984)
Demon Wind(1990)
Entity, The (1981)
E tu vivrai nel terrore – L’aldilа (1981)
Evil Dead, The (1981)
Gothic(1986)
Hellbound: Hellraiser II(1988)
Killer Klowns from Outer Space(1988)
Misery(1990)
Near Dark(1987)
Nightmare On Elm Street, A (1984)
Pet Sematary(1989)
Phenomena(1985)
Pin…(1988)
Possession(1981)
Re-Animator(1985)
Return of the Living Dead, The (1985)
Santa sangre(1989)
Scarecrows (1988)
Thing, The (1982)
Xtro(1983)
Videodrome(1983)
Witches of Eastwick, The (1987)
Witches, The (1990)

90s
Addams Family, The (1991)
Devil’s Advocate, The (1997)
Addiction, The (1995)
Braindead (1992)
Candyman (1992)
Cronos (1993)
Cube (1997)
Day of the Beast, The (1995)
Dellamorte Dellamore (1994)
Ginger Snaps(2000)
In the Mouth of Madness(1995)
Mummy, The (1999)
Ravenous(1999)
Ringu(1998)
Sect, The(1991)
Sleepy Hollow(1999)
Thinner(1996)
Vampires(1998)
Wolf(1999)

00s
Call of Cthulhu, The
Frailty(2001)
Ju-on: The Grudge (2003)
Others, The (2001)
Shaun of the Dead(2004)
They(2002)
Undead(2003)
Spider(2002)

Can you guess right the movie by the costume of a hero? If you think you’re so you’re wellcome an excellent puzzle to solve:

Please don’t hesitate to answer.
thank you

Miracle on 34th Street
Kris Kringle: “Oh Christmas isn’t just a day, it’s a frame of mind… and that’s what’s been changing. That’s why I’m glad I’m here, maybe I can do something about it.”
Fred Gailey: “Is it true that you’re the owner of one of the biggest department stores in New York City?” Mr. R. H. Macy: “THE biggest!”
[Doris is trying to convince Susan there is no Santa Claus]

Susan Walker: “But when he spoke Dutch to that girl…”
Doris Walker: “Susan, I speak French, but that doesn’t make me Joan of Arc.”
Doris: “Faith is believing when common sense tells you not to. Don’t you see? It’s not just Kris that’s on trial, it’s everything he stands for. It’s kindness and joy and love and all the other intangibles.”
Susan Walker: “You mean it’s like, ‘If at first you don’t succeed, try, try again.’”
Doris Walker: “Yes.”
Susan Walker: “I thought so.”
Fred: “That baseball player sure looks like a giant to me.”
Susan: “Sometimes people grow very large, but that’s abnormal.”
Fred: “I’ll bet your mother told you that, too.”
Kris Kringle: “Now wait a minute, Susie. Just because every child can’t get his wish that doesn’t mean there isn’t a Santa Claus.”
Kris Kringle: “If that’s normal, I don’t want it!”
Kris Kringle: “You know what the imagination is?”
Susan Walker: “Oh, sure. That’s when you see things, but they’re not really there.”
Kris Kringle: “Well, that can be caused by other things, too.”
Doris Walker: “I was wrong when I told you that, Susie. You must believe in Mr. Kringle and keep right on doing it. You must have faith in him.”

A Charlie Brown Christmas
Schroeder: This is the music I’ve selected for the Christmas play. [Schroeder plays Fur Elise]
Lucy Van Pelt: What kind of Christmas music is ‘that’?
Schroeder: Beethoven Christmas music.
Lucy Van Pelt: What has Beethoven got to do with Christmas? Everyone talks about how “great” Beethoven was. Beethoven wasn’t so great.
[Schroeder stops playing]
Schroeder: What do you mean Beethoven wasn’t so great?
Lucy Van Pelt: He never got his picture on bubble gum cards, did he? Have you ever seen his picture on a bubble gum card? Hmmm? How can you say someone is great who’s never had his picture on bubble gum cards?
Schroeder: Good grief.

Une femme douce / A Gentle Creature / 1969 / is the first color Robert Bresson’s film sees a marked change in the director’s style from the cold austerity and intensity of his earlier works, such as Au hasard Balthazar (1966) and Mouchette (1967). Although the film deals with familiar Bresson themes of suicide and domestic repression, his approach in this film is far more accessible, making the film attractive to a mainstream cinema audience (for perhaps for the last time in Bresson’s film-making career). Bresson cast a successful model Dominique Sanda in the role of the ill-fated heroine of the film, allegedly for the sound of her voice rather than her more obvious attributes. Sanda’s celebrity may have been another important factor which contributed to the film’s popularity.

Director: Robert Bresson
Script: Robert Bresson, Fyodor Dostoyevsky (novel)
Photo: Ghislain Cloquet
Music: Jean Wiener
Cast: Dominique Sanda (Elle), Guy Frangin (Luc, son mari), Jeanne Lobre (Anna, la bonne), Claude Ollier (Le médecin), Jacques Kébadian (Le dragueur), Gilles Sandier (Le maire), Dorothée Blank (L’infirmière)
Country: France
Language: French
Runtime: 88 min
Aka: A Gentle Creature; A Gentle Woman

Summary
When his young wife commits suicide, leaving no explanation for her act, an introspective pawnbroker looks back on their life together and tries to understand why she had to kill herself.

Every time when you meet this little pathetic man he reminds you that you haven’t lost your smile at all, it’s here, right under your nose:-)! You just forgot it was there. whether you have problem with your money or you are in trouble with someone watch Charles Chaplin’s movie to get a smile. A day without laughter is a day wasted isn’t it? And on the way old kind movie can make your mood taking an effect much better than any medicine does. Smile! You’ll find that life is still worthwhile if you just smile.

[youtube="http://www.youtube.com/watch?v=iu-rLA4POkI"]

Have you recognized the voice? Yes, magnificent Michael Jackson sings.
Smile
Smile though your heart is aching
Smile even though its breaking
When there are clouds in the sky, you’ll get by
If you smile with your fear and sorrow
Smile and maybe tomorrow
You’ll find that life is still worthwhile

If you just
Light up your face with gladness
Hide every trace of sadness
Although a tear may be ever so near
That’s the time you must keep on trying
Smile, what’s the use of crying?
You’ll find that life is still worthwhile

If you just
Smile though your heart is aching
Smile even though its breaking
When there are clouds in the sky, you’ll get by
If you smile through your fear and sorrow
Smile and maybe tomorrow
You’ll find that life is still worthwhile
If you just smile

that’s the time you must keep on trying
Smile, what’s the use of crying?
You’ll find that life is still worthwhile
If you just smile

Brigitte Bardot is one of the most beautiful woman of the 20 century. She was an international sex symbol who starred in a series of hit films such as The Girl in the Bikini, Un acte d’amour (1953), Dear Brigitte (1965) and more that 70 films.
This is a video fragments you can see her in famous Et Dieu Créa la Femme (1956) where she is so young and so incredible charming.

[youtube="http://www.youtube.com/watch?v=HQ76DvVHI3I"]

Here is a short biography taken from www.imdb.com:
Brigitte Bardot was born on September 28, 1934, in Paris, France. Her father had an engineering degree and worked with his father in the family business. Her mother was 14 years younger than Brigitte’s father and they married in 1933. Brigitte’s mother encouraged her daughter to take up music and dance, and she proved to be very adept at it. By the time she was 15 Brigitte was trying a modeling career, and found herself in the French magazine “Elle”. Her incredible beauty readily apparent, Brigitte next tried films. In 1952 she appeared on screen for the first time as Javotte Lemoine in Le trou normand (1952). Two more films followed and it was also the same year she married Roger Vadim. The two had known each other years earlier and she wanted to marry him when she was 17, but her parents quashed any marriage plans until she turned 18. The union lasted only five years. Capitalizing on her success in French films, she made her first US production in 1953 in Un acte d’amour (1953) with Kirk Douglas, but she continued to make films in France. Brigitte’s explosive sexuality took the US by storm, and the effect she had on millions of American men who hadn’t seen a woman like her in a long, long time–if ever–was electric. took the US by storm, her explosive sexuality being unlike anything seen in the US since the days of the “flapper” in the 1920s. rise to the phrase “sex kitten” and fascination of her in the US consisted of magazines photographs and dubbed over French films–good, bad or indifferent, her films drew audiences–mainly men–into theaters like lemmings. In 1965 she appeared as herself in the American-made Dear Brigitte (1965) with James Stewart (she only appeared in one scene). Just before she turned 40, Brigitte retired from movies after filming L’histoire très bonne et très joyeuse de Colinot Trousse-Chemise (1973).

William K.L. Dickson experimental Sound Film, 1894 The earliest known sound film. You can see Dickson standing in the background there.

[youtube="http://www.youtube.com/watch?v=tE_X3-EZz7Y"]

W. K-L. Dickson is a key figure in the practical development of cinematography. He was born in France of English-Scottish parents, and emigrated to the United States in 1879. Joining Thomas Edison in 1883, he quickly rose to become one of his senior associates. Work on motion pictures began in 1888, and continued – with many interruptions – for several years.

After many experiments, Dickson captured scenes of real life with his camera, and reproduce them through his invention, called the Kinetoscope. Unfortunatelly the invention wasn’t complete but Dickson kept experimenting and made this short wilm, which became the first
step in legendary history pf cinema.